Until recently the most up‑to‑date manifestation of Digital Performer was version 2.72. Unsurprisingly, too, MOTU's widely used multi‑channel audio interfaces have always worked swimmingly with Digital Performer. Certainly the MOTU Audio System (MAS), which lies at the heart of Digital Performer's audio capabilities, has always sounded great, and 'MIDI Time Stamping' (MTS) technology was introduced in DP2.6 to provide sub‑millisecond MIDI timing precision when used with MOTU's range of USB MIDI interfaces. ![]() In the last couple of years, however, MOTU have added a steady stream of features and refinements to Digital Performer, many of which have been very classy indeed. ![]() This probably wasn't helped by the fact that various updates to Digital Performer version 2 were saddled with a few inconsistencies, and the program also had a very non‑standard user interface which took some getting used to. ![]() The latest and greatest incarnation of MOTU's flagship Mac sequencer adds full surround mixing support among many other new features.ĭespite very positive reviews in Sound On Sound and elsewhere, Mark Of The Unicorn's Mac‑only Digital Performer sequencer hasn't quite taken off in the UK market in the way that Logic and Cubase have.
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